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Art, Painting Commissions and Prints from Berkshire Artists
Landscape Artist
and Art Tutor
Email: shelagh.casebourne@gmail.com
Website: shelaghcasebourne.com
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Shelagh Casebourne is a figurative painter, with a studio in a Berkshire village on the River Thames.
After a career in publishing, she completed a Fine Art degree in 2010.
Her inspiration is taken from the natural world and from walking in the countryside.
A Landscape Artist of the Year 2020 finalist, she is equally happy painting plein air or in the studio.
Shelagh Casebourne - Landscape Artist of the Year finalist at Trinity Buoy Wharf.
Shelagh is a member (and Secretary) of the Reading Guild of Artists and exhibits regularly in the area. She also tutors workshops at a local arts centre.
Art, Painting Commissions and Prints from Berkshire Artists
Grazing cows on Lavant Down, near Chichester, West Sussex
Image Size: 25.5cm x 20cm
Art Medium: Oil on Board
Painting Availability: Sold
Landscape Artist
and Art Tutor
Email: shelagh.casebourne@gmail.com
Website: shelaghcasebourne.com
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
Shelagh Casebourne is a figurative painter, with a studio in a Berkshire village on the River Thames.
After a career in publishing, she completed a Fine Art degree in 2010.
Her inspiration is taken from the natural world and from walking in the countryside.
A Landscape Artist of the Year 2020 finalist, she is equally happy painting plein air or in the studio.
Shelagh Casebourne - Landscape Artist of the Year finalist at Trinity Buoy Wharf.
Shelagh is a member (and Secretary) of the Reading Guild of Artists and exhibits regularly in the area. She also tutors workshops at a local arts centre.
Art, Painting Commissions and Prints from Berkshire Artists
Coastal Village
Image Size: 10″ x 8″
Art Medium: Oil on Canvas
Painting Price: £180
Landscape and Animal Artist using Oils and Acrylics
Phone: 01628 520579
Please mention the Berkshire Artists website
Email: info@karendaviesart.co.uk
Website: karendaviesart.co.uk
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My work has become looser and more painterly over time, using thicker layers of paint. I am happy to work from good photos and accept commissions. The starting price for my artwork is £180 for smaller works. I also have high-quality Fine Art Giclée Prints of some of the paintings, which cost £40.
Art, Painting Commissions and Prints from Berkshire Artists
Image Size: Approx 6”x 6”
Art Medium: Acrylic Inks
Original Painting: For Sale – Please contact the Artist
Pen & Wash Sketches from £50
Commissions Invited
Pen and Wash, Mixed Media, Acrylics
Phone: 01189 730479
Mobile: 07786 435464
Please mention the Berkshire Artists website
Email: mohanb.banerji@gmail.com
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Pen and ink, watercolours, acrylics, pastels and mixed media are my go-to mediums. I love to explore and experiment: mediums and subject matter vary, but the thread that weaves through it all is my love of lines, textures and colours. I can relate to Walt Disney’s quote : “I can never stand still … I resent the limitations of my own imagination.”
I am a Full Exhibiting Member of both the Reading Guild of Artists and the Wokingham Art Society. In addition to having my work published, it can also be found in homes around the UK, Australia, Singapore, India and the USA.
Art, Painting Commissions and Prints from Berkshire Artists
This view across the fertile coastal plain of western Sicily shows a baglio surrounded by vines which represent an oasis in the late Summer heat. The clear day has a heat haze which gives distance to the Egadi Islands on the horizon. This painting is essentially a scetch done ‘en plein aire’ in one sitting and represents a temporal memory of a changing scene, on a hot Mediterranean afternoon.
Image Size: 36cm x 26cm unframed
Art Medium: Watercolour
Painting Price: £300
Commissions Invited
Watercolour Artist
Art Tutor
Please mention the Berkshire Artists website
Email: richardccave@btinternet.com
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I have been painting watercolours seriously for over 30 years, initially as a facility to illustrate my own work as an Architect which developed into providing that service for others. An interest in the built environment, landscape and setting focussed interest of early paintings on buildings in landscape and townscape, inevitably leading me to a traditional taste in subject matter. Although such subjects from real life are still an inspiration, my work over the last ten years has been orientated toward effects of light and the development of a technique which captures this.
Subject matter is often the depiction of life ‘en plein aire’, instigated by the quality of light and form. To capture the moment, watercolour is the ideal medium and my approach has been traditional, even to the extent of not using white body colour (this is a personal preference, because of the ‘alien’ effect of body colour in a transparent medium rather than a criticism of those who use it). I also try to avoid the use of masque but this is mainly because the essence of ‘plein aire’ is usually a fleeting quality of light which does not allow the time necessary for the use of masking mediums.
Studio paintings are different, but even in in these circumstances I prefer to preserve white surfaces while painting or to lift colour in the process. I also tend to use natural earth colours as much as possible; this is partly because they best suit my normal subject matter but also because, unlike a staining colour, they can be lifted when dry to create ‘whites’. I also tend to use a heavy, rough watercolour paper as my support, which lends itself to techniques for manipulating colour including scratching to produce highlights.
One cannot practise watercolour painting and be unaware of the many great practitioners of the art, both alive and dead. One can admire some, such as John Yardley whilst recognising his approach would be impossible for me, whereas examples from John Blockley, Trevor Chamberlain, Lucy Willis and even Russel Flint and Rowland Hilder have all contributed to my own technique.
I have occasionally submitted works to national exhibitions and have had works accepted on several occasions by the Royal Society of Marine Artists. This is valuable as a means of getting work seen by a wider audience, but the high percentage of sale taken by the gallery does not make this financially advantageous. I therefore prefer to exhibit where my work can be presented for what I consider to be a fair price, without the need to overprice to meet the gallery commission. I also provide watercolour tuition to local groups and occasional commissions.
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